Eizo Adds 4K x 2K Input to ColorEdge CG276 LCD Monitor
High-Res Image Will Be Down-scaled for Native 2560x1440 Display
One more option for monitoring 4K workflows has arrived with the announcement that Eizo has begun supporting 4K x 2K input on newly manufactured Color Edge CG276 LCD monitors.
Starting this month, new CG276 units will accept 4K x 2K input via their Display-Port input at up to 30 fps. The image will be down-scaled for display in the monitor's native resolution of 2560×1440. The CG276 also supports 10-bit color via Display-Port, and has HDMI and DVI-D inputs.
The monitor will be on display in Eizo's NAB booth (SL 14813).
Tags: photo assistant, photo assistants, Eizo, profoto, phase one, photo, photography
General
Capture One Pro 7.0.2 is a service release providing a number of bug fixes, in particular for stability, and camera support. Full release notes are attached:
Download here from Phase One.
Tags: Phase One, Capture One Pro, Canon, ProFoto, Sekonic, Photo assistant, digital tech
Phase One officially announced the release of Capture One Pro 7, a new version of the industry standard in digital capture and asset management software that features a new processing engine and several new tools including Live View support for selected digital SLRs. Phase One Capture One Pro 7 is available now for Mac OS X and Windows at www.phaseone.com/store for $299.
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Tags: Capture One Pro 7, Capture One Pro, Capture One, C1Pro, Phase One, Photo Assistant, Digital Tech, Photographer, DSLR, 5DMKIII, 5DMKII, Canon
Total Control from Capture-to-Delivery
The new Leaf Credo lets you shoot anywhere. Featuring a high resolution 1.15 MP, 3.2” touch screen, Leaf Credo enables you to view, inspect and edit your images under all kinds of challenging lighting conditions, both in-studio and outdoors. Its powerful processor allows you to verify fine details instantly with excellent color rendition and tonal gradations with 16 million colors.The touch screen's wide format aspect ratio allows plenty of space for histograms, highlight warnings and to display EXIF data right next to the image.Its touch screen is extended and covers a larger area beyond the LCD, giving a new innovative handling experience, which enables precise control without touching the actual display area. The Leaf Credo series of digital camera backs deliver legendary Leaf image quality along with speed and versatility that are second to none. Available in 80, 60 and 40MP versions. The Leaf Credo 80 offers the best price-performance ratio of any 80 MP single-shot capture device, allowing you to take your photography further by capturing the highest quality, single- shot images possible. The sensor provides the ability to record the finest detail, eliminating the need to use cumbersome multi-shot solutions. Click here for more information on the Leaf Credo. Click here to book a hands-on demonstration or to learn about upgrade offers.
Tags: Photo assistant, digital tech, leaf, phase one, mamiya
Free Webinar
Session One - 9 AM Pacific Time Register Here (10 AM Mountain, 11 AM Central, 12 PM Eastern, 5 PM GMT)
Session Two - 11 AM Pacific Time Register Here (12 PM Mountain, 1 PM Central, 2 PM Eastern, 7 PM GMT)
Join Vincent Versace, best selling author and internationally recognized pioneer in the art and science of digital photography for this webinar co-sponsored by X-Rite and Nik Software. "Oz to Kansas: The Black and White on Black and White Conversions" is the evolution of thought that began with the chapter in his first book "Welcome to Oz: From Oz to Kansas. How to convert an Image to Black and White Without Ever Leaving the RGB Color Space." This webinar takes a practical applications approach to when, why and how to convert an image. In it, you will learn which methods give you the best results and when to choose a simple or a complex solution. Some of the topics covered in this class are: - The only soup to nuts overview of the Silver Efex Plug-in. How to use it and when. - The importance of color management particularly to black and white. - When and why you should and should not use global de-saturation. - Split Channel conversions - what they are good for and a way to get the same effect with a file two thirds the size. - When to use the Black and White adjustment layer to bring out and separate the tones in a color image. - Multiple Channel mixer black and white conversions that replicate the physics of film. - What is "Faux-infrared" and a look at how to convert files to black and white from digital cameras that have been modified to shoot Infrared. - When and how to most efficiently use the Gradient tool for black and white conversion.
Who should attend this webinar: - Photographers who enjoy black and white photography - Digital photographers who want to understand black and white conversions - Anyone who wants to print black and white images
Learn more about Vincent Versace at versacephotography.com. We hope to see you there!
Tags: X-Rite, WEBINAR, Sekonic, ProFoto, Pocket Wizzard, Photo Assistant, Phase One, Mamiya, Leica, EIZO
Log on August 30 at 1:00pm (EDT) for a free one-hour live seminar, hosted by noted photographer and educator Joe Brady. You'll have a front-row seat from the comfort of your home or office as you participate in our interactive streaming-video seminar broadcast in real time. This session focuses on how photographing portraits in the studio can provide you the ultimate in control with light. All decisions regarding mood, shape and drama are yours to make. Learn how to effectively control light so that your creativity is fully expressed.
If you're interested in studio portraiture as a way to express creativity and bring more value to your photographic talents, join us during this live and interactive presentation. We'll take questions live in the studio and all learn together – it will be time well spent! Learn more and watch here!
Upcoming Seminars: Part 4 – Creating Great Landscape Photographs – Wednesday, September 21st
Tags: Sekonic, X-Rite, Profoto, Mamiya, MacGroup, Phase One
Tags: ALbert Watson, Phase One, ProFoto, Sekonic
Photo History
Improved languages support for the new graphic user interface introduced in Leaf Capture 11.5. New user interface and firmware update for AFi-II and AFi backs. Fixed issues: Communication issue with some Aptus-II backs is solved. Power source selection added to AFi-II 12.
Download Leaf Capture 11.5.1 >>
Leaf Capture v. 11.5.1 is compatible with 64 bit Intel-based Macs. Please see the Technical Bulletin for how to determine if your Mac has a 64 bit processor.
Compatibility Leaf Aptus-II 12R, 12, 10R, 10, 8, 7, 6, 5 Leaf Aptus 75, 65, 22, 17 Leaf Aptus 75S, 65S, 54S Leaf AFi-II 12, 10, 7, 6 Leaf AFi 7, 6, 5 Mamiya DM56, DM40, DM33, DM28, DM22
Minimum System Requirements
Recommended system specifications for high resolution backs
Tags: Leaf, Phase One, Capture One Pro, Mamiya
Leaf is happy to announce that Leaf Capture 11.5 featuring new Leaf GUI (Graphic User Interface) for Aptus-II digital backs, support for lens calibration when shooting to CF card and new firmware updates that accelerate start-up time by up to 50% and speed-up zoom by up to 30% is now available for download. Leaf Capture 11.5 brings the new Leaf GUI to all models in the Leaf Aptus-II series including Leaf’s latest product, the Leaf Aptus-II 12 80 megapixel digital back.The new Leaf GUI is more intuitive and user-friendly. Designed with the needs of professional photographers in mind, it offers improved workflow processes and quicker access to important tools through its new menu - favorite settings. The new Leaf GUI’s outdoor theme makes exterior shooting much easier by improving visibility in high glare and reflection situations.Leaf Capture 11.5 extends the existing Leaf Capture automatic lens calibration feature from tethered mode to enable its use while shooting on the go. Lens calibration files fix effects like lens fall-off and color casts which can appear when shooting with wide angle lenses.
• Download and read more on Leaf Capture 11.5 • Download Leaf Capture 11.5 Release Notes
Tags: Leaf, Phase One, Capture one pro, photo assistant
46-megapixel DSLR creates new market for medium-format photographers
Ronkonkoma, NY, May 20, 2011 – Sigma Corporation of America, a leading researcher, developer, manufacturer and service provider of some of the world's most impressive lines of lenses, cameras and flashes, is pleased to announce that its flagship DSLR, the Sigma SD1, will be available for purchase for the MSRP of $9,700 in early June.
This 46-megapixel DSLR is delivered in a splash-proof, easy-to-handle build that is similar to that of a classic 35mm camera. Professional and high-end enthusiast photographers will utilize the SD1’s exclusive Foveon 23.5x15.7mm APS-C X3 direct image sensor to capture exceptionally rich and detailed images that have a film-like quality. Users will also benefit from Sigma’s wide selection of interchangeable lenses that are compatible with the SD1.
“The SD1 will carve out a new category in the marketplace by providing high-end photographers with an alternative to very expensive medium-format cameras and digital backs, while offering unrivaled image quality,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “By embracing the SD1, serious photographers will also be able to take advantage of Sigma’s extensive lineup of affordable lenses, which are compatible with this new camera. The selections of lenses for medium-format cameras on the market are somewhat limited, so this will be a huge advantage for SD1 users. This is undoubtedly a very special camera, and we’re thrilled to share it with the photo community.”
In addition to the 23.5x15.7mm APS-C X3 direct image sensor, the Sigma SD1 features dual “Three-layer Responsive Ultimate Engine (TRUE) II” image processing engines, which improves processing speed, provides high resolution power and produces high-definition images with richly graduated tones. It also allows simultaneous RAW and JPEG recording, which is a first for Sigma cameras. Additionally, the photographer has the option to select full-size, half-size or quarter-size RAW files making it a more versatile camera for a wide range of photographers. The Foveon sensor uses three silicon-embedded layers of photo detectors, stacked vertically to take advantage of silicon’s ability to absorb red, green and blue light at different respective depths. This technology efficiently reproduces color more accurately and offers sharper resolution, pixel for pixel, than any conventional image sensor. Since color moiré is not generated, the use of a low-pass filter is not required.
The optical format of the Foveon sensor has been upgraded from that which was used in previous SD cameras, and has increased from 1.7x focal length to the 1.5x focal length multiplier. The SD1 also benefits from improved image processing and noise reduction algorithms, with an ISO sensitivity range from 100 to 6400. This is two full stops more sensitivity than the SD15, which has a maximum 1600 ISO. An intuitive user interface and an impressive lightweight, yet solid magnesium alloy body and O-ring sealing connections that make the camera durable and splash proof are also key feature upgrades of the flagship SD1.
The SD1 adopts the TYPE 1 Compact Flash Card, and is UDMA-compatible enabling fast processing of large amounts of data. The autofocus system features an 11-point shifted twin cross type sensor, which improves AF accuracy. The SD1 features a 3.0 inch TFT color monitor. This 460,000 pixel resolution LCD monitor benefits from a wide viewing angle, making it easy to check focusing and composition. The SD1 can be used with more than 40 Sigma SA mount lenses such as ultra-wide, ultra-telephoto, macro and fisheye.
Sigma’s image processing software, Photo Pro 5.0, comes bundled with the camera and its simple operation allows quick and easy capture of the desired imaged. Additional functions such as Loupe, Slideshow, Print, Convert to JPEG file and Batch White Balance settings are also incorporated into this software.
The Sigma SD1 will be available for the MSRP of $9,700 through select authorized Sigma dealers. For information about Sigma Corporation of America, visit www.sigmaphoto.com. For more information about the Sigma SD1 DSLR, visit http://www.sigmaphoto.com/shop/sd1-dslr-sigma or view the camera’s special page at www.sigma-sd.com/SD1.
Tags: Sigma, DSLR, 24-70mm f2.8, photo assistant, prophoto, phase one, sekonic, x-rite, photo
Lighting Diagrams APP Vol.1
Click here to view details of ourLighting Diagrams APP Vol.1
"Papa, ... Music is your love, but Photography is your Religion." - Joya D. Hall-Sullivan | Age 10
"All photographs are accurate. None of them is the truth." - Richard Avedon - 1984
"I have not failed. I've just found 10,000 ways that won't work." - Thomas Alva Edison
"Any photographer who says he’s not a voyeur is either stupid or a liar." - Helmut Newton
"You don’t have to sort of enhance reality. There is nothing stranger than truth." - Annie Leibovitz
"When you find yourself beginning to feel a bond between yourself and the people you photograph, when you laugh and cry with their laughter and tears, you will know you are on the right track." - Weegee
" The camera is much more than a recording apparatus. It is a medium via which messages reach us from another world." - Orson Welles
"Some people's photography is an art. Not mine. Art is a dirty word in photography. All this fine art crap is killing it already." - Helmut Newton
"Our virtues and our failings are inseparable, like force and matter. When they separate, man is no more. " - Nikola Tesla
"I think all art is about control - the encounter between control and the uncontrollable." - Richard Avedon
"The first 10 000 shots are the worst." - Helmut Newton
“If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” – Edward Weston
"Men often become what they believe themselves to be. If I believe I cannot do something, it makes me incapable of doing it. But when I believe I can, then I acquire the ability to do it even if I didn't have it in the beginning." - Mahatma Gandhi
"Ultimately success or failure in photographing people depends on the photographer's ability to understand his fellow man." - Edward Weston
"If you want reality take the bus." - David LaChapelle
"You don't take a photograph, you make it." - Ansel Adams
"When I have sex with someone I forget who I am. For a minute I even forget I’m human. It’s the same thing when I’m behind a camera. I forget I exist." - Robert Mapplethorpe
" Great photography is always on the edge of failure." - Garry Winogrand
"I don’t think photography has anything remotely to do with the brain. It has to do with eye appeal." - Horst P. Horst
"Be yourself. I much prefer seeing something, even it is clumsy, that doesn't look like somebody else's work." - William Klein
"Avedon claims to have been the best photographer in the '60s - bullshit - Bob Richardson was - despite or because of being insane and strung out on drugs, I managed to do photographs that are considered iconic - being known as the 'photographer's photographer' means I lead and they follow - I'm broke and they are rich." - Bob Richardson
"If you're absent during my struggle, don't expect to be present during my success" - Will Smith
"Either take the lead or follow behind, just stay the fuck out of my way." - James Sullivan